Asingeline
by Mandafounis, Mazliah & Zarhy
Initially created and commissioned by de Singel theater in Antwerp Belgium, ASINGELINE, an enacted thought, opened the season of MAMAZA as associated artists in September 2011. In times where lines, especially red ones, are read as highly charged politically- lines meant to divide and separate, Asingeline is there to connect, almost literally, the public with its art / culture. It is a straight line drawn from one point at the city center all the way to a second point which is a central cultural building: a theater, a museum or other. Drawing a line between the daily urban space and the representative space of their art – the theater - their intention is to connect, almost literally, the public – society, and their art – choreography and performance.
The line is neither a performance, nor an installation, in its essence it is a thought put into action, driving MAMAZA and the local team who collaborates with them on the project, to cross the city through its public spaces – squares, streets, parks – and its private ones – domestic houses, shops, restaurants – in order to accomplish the drawing of the line. One can imagine the constant communication and negotiations with the local inhabitants (shop owners, landlords and so forth) in order to enter their spaces, put the red line on the floor, document it (through still images and video) and then take it off.
The line doesn’t remain there. It is ephemeral in character, it keeps on disappearing. Nevertheless, its presence is felt through the necessity of having to draw it throughout the city and the memory and thoughts it leaves in people’s mind.
Asingeline is about following a direction, heading towards a common aim and collaboratively joining forces to accomplish it. Its straightness is complex, although its apparent result should be a totally straight direct line, it forces the creative team to go through walls, fences, obstacles, discussions and interactions of all different kinds.
For the opening of their season as Associated Artists in deSingel theater in Antwerp, the trio MAMAZA proposes a specific project to the context - ASINGELINE, an enacted thought. The project can be seen in the form of an exhibition in deSingel between the 16th September 2011 - 30th June 2012. ASINGELINE ----------- associating deSingel with the city of Antwerp by drawing a line ASINGELINE ----------- a continuity of city, street, theater ASINGELINE ----------- following the line: from concept to experience ASINGELINE ----------- a score for a choreography, a movement through the city of Antwerp ASINGELINE ----------- a creation of a myth, a collection of stories, points of view ASINGELINE ----------- mapping out transformations: from subject to sharing perspectives ASINGELINE ----------- a documentation of effort, fulfillment of a plan, a direction, a trajectory ASINGELINE ----------- as means for dialogue, as a trigger for creation ASINGELINE ----------- composing connections, tracing curious relations, portraying perceptions ASINGELINE ------------------------------------------------------------------------------------------------------ Conceived & performed by: Ioannis Mandafounis, Fabrice Mazliah, May Zarhy Camera: Ioannis Mandafounis, Fabrice Mazliah, May Zarhy, Vincent Wilms, Andy Giebens, Rob Fordeyn Video editing: Vincent Wilms Thanks to all the people of Antwerp that we met along the line, without whom ASINGELINE could have never been realized, the staff of deSingel and & the streets of Antwerp.